Giornata di studiLo stato e il futuro della ricerca. PRIN 2022 e prospettive emergenti: il contributo dell’area PEMM-01/BUniversità Ca’ Foscari Venezia, 9 ottobre, 2025 Gli esiti intermedi della ricerca METRO_ART sono stati presentati dal principal investigator Ruggero Eugeni e discussi pubblicamente nella giornata di studi “Lo stato e il futuro della ricerca. PRIN 2022 e …
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Alice Cancer, Stefania Balzarotti, Alessandro Antonietti, Adriano D’Aloia, Ruggero Eugeni (2025). “As time goes by: SMA neuromodulation and time perception while watching moving images with different editing styles. A tDCS study”. Front.Hum.Neurosci. 19:1595599. doi: 10.3389/fnhum.2025.1595599 Within the framework of a “neurofilmological” approach – which integrates film studies, cognitive psychology, and neuroscience – the present study …
Stefania Balzarotti, Federica Cavaletti, Barbara Colombo, Elisa Cardani, Maria Rita Ciceri, Alessandro Antonietti, Ruggero Eugeni, “The Editing Density of Moving Images Influences Viewers’ Time Perception: The Mediating Role of Eye Movements”, in Cognitive Science. A Multidisciplinary Journal, 2021 Apr; 45(4): e12969. doi: 10.1111/cogs.12969. PMID: 33844350 The present study examined whether cinematographic editing density affects viewers’ perception of …
Ruggero Eugeni, “Out of Joint. Audiovisual Media as Technologies of the Time”, in Luca Malavasi, Sara Tongiani (eds.), Technophobia and Technophilia in the Media, Art and Visual Culture, Canterano (RM), Aracne, 2020, pp. 15-28, ISBN 978-88-255-3985-1 In this paper, I raise the question of whether audiovisual media, notably cinema, can be considered as technologies of the …
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Ruggero Eugeni, Stefania Balzarotti, Federica Cavaletti, Adriano D’Aloia, “It Doesn’t Seem_It, But It Is. A Neurofilmological Approach to the Subjective Experience of Moving-Image Time”, in Antonio Pennisi, Alessandra Falzone (eds.), The Extended Theory of Cognitive Creativity. Interdisciplinary Approaches to Performativity, Cham, Springer, 2020, pp. 243-265. DOI https://doi.org/10.1007/978-3-030-22090-7_16 This article illustrates the first steps of a research project concerning …
Ruggero Eugeni, “What Time Is In? Subjective Experience and Evaluation of Moving Image Time”, in Reti, saperi, linguaggi – Italian Journal of Cognitive Sciences, 1/2018, January-June, pp. 81-96, DOI: 10.12832/90973 This is the first article deriving from the project Time perception and performativity in audiovisual experiences: editing, camera movements, action and narrative manipulations. A neurofilmological approach (PRIN project …
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Ruggero Eugeni, “Semiótica audiovisual y neurociencia cognitiva. El proyecto de la neurofilmología y la cuestión de la experiencia temporal.”, in Signa, n. 32, 2023, pp. 29-40. DOI: https://doi.org/10.5944/signa.vol32.2023.36109 Este artículo presenta un marco de investigación basado en el diálogo entre semiótica audiovisual y ciencias neurocognitivas llamado Neurofilmología que actualiza la semiótica interpretativa y que busca esbozar un modelo …
The NECS 2025 ConferenceUniversidade Lusófona, 20-21 June, 2025Discovering/Uncovering. Navigating the complexities of screen media Uncovering the evidence. Neurofilmological approaches to the audiovisual and VR experience Over the past twenty years, the relationship between cognitive sciences and film and media studies has evolved rapidly. This trend has been mainly driven by internal transformations in cognitive sciences, …
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INTERNATIONAL CONFERENCE Embodying Visual Culture. A Multidisciplinary Inquiry Palermo, June 10-13, 2025 Ruggero Eugeni will take part into Embodying Visual Culture conference held at the University of Palermo with the paper As Time Goes By: A Neurofilmological Approach to Temporal and Rhythmical Dimensions of Audiovisual Experience. The international conference explores the relationship between embodiment and visual …
Anna Kolesnikov delivered the paper on simulating drone and bodily gestures entitled “Rhythmic Patterns and Time Perception in Audiovisual Experience” at the Rethinking Rhythm in Film one-day symposium, held at Anglia Ruskin University on 22 May 2025. More than fifty years ago, Noël Burch observed that ‘cinematic rhythm is defined by the sum total of …