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Stefania Balzarotti, Federica Cavaletti, Barbara Colombo, Elisa Cardani, Maria Rita Ciceri, Alessandro Antonietti, Ruggero Eugeni, “The Editing Density of Moving Images Influences Viewers’ Time Perception: The Mediating Role of Eye Movements”, in Cognitive Science. A Multidisciplinary Journal, 2021 Apr; 45(4): e12969. doi: 10.1111/cogs.12969. PMID: 33844350 The present study examined whether cinematographic editing density affects viewers’ perception of …

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Ruggero Eugeni, “Out of Joint. Audiovisual Media as Technologies of the Time”, in Luca Malavasi, Sara Tongiani (eds.), Technophobia and Technophilia in the Media, Art and Visual Culture, Canterano (RM), Aracne, 2020, pp. 15-28, ISBN 978-88-255-3985-1 In this paper, I raise the question of whether audiovisual media, notably cinema, can be considered as technologies of the …

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Ruggero Eugeni, Stefania Balzarotti, Federica Cavaletti, Adriano D’Aloia, “It Doesn’t Seem_It, But It Is. A Neurofilmological Approach to the Subjective Experience of Moving-Image Time”, in  Antonio Pennisi, Alessandra Falzone (eds.), The Extended Theory of Cognitive Creativity. Interdisciplinary Approaches to Performativity, Cham, Springer, 2020, pp. 243-265. DOI https://doi.org/10.1007/978-3-030-22090-7_16 This article illustrates the first steps of a research project concerning …

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Ruggero Eugeni, “What Time Is In? Subjective Experience and Evaluation of Moving Image Time”, in Reti, saperi, linguaggi – Italian Journal of Cognitive Sciences, 1/2018, January-June, pp. 81-96, DOI: 10.12832/90973 This is the first article deriving from the project Time perception and performativity in audiovisual experiences: editing, camera movements, action and narrative manipulations. A neurofilmological approach (PRIN project …

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Ruggero Eugeni, “Semiótica audiovisual y neurociencia cognitiva. El proyecto de la neurofilmología  y la cuestión de la experiencia temporal.”, in Signa, n. 32, 2023, pp. 29-40. DOI: https://doi.org/10.5944/signa.vol32.2023.36109 Este artículo presenta un marco de investigación basado en el diálogo entre semiótica audiovisual y ciencias neurocognitivas llamado Neurofilmología que actualiza la semiótica interpretativa y que busca esbozar un modelo …

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